"Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." Switch to the dark mode that's kinder on your eyes at night time. Grow your brand authentically by sharing brand content with the internets creators. Full Time, Part Time position. They were going to look after me as no one else had done before. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. [9] This movie was a hit and launched Lockwood as a star. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queuing outside cinemas all over Britain. [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. The Wicked Lady: Directed by Leslie Arliss. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . Lockwood married Rupert Leon in 1937, and the marriage lasted for 13 years. He hopes one day "moles and other individual qualities" will be embraced. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. The film had one of the top audiences for a film of its period, 18.4 million. Those with beauty marks in the 1800s would've likely felt anything but beautiful during a time when skin whitening recipes promising to "take away" freckles and moles were abundant. The film was shot at Islington studios and was "in the can" after just five weeks in 1937 and released the following year. alcohol. She appeared on TV in Ann Veronica and another TV adaptation of the Shaw play Captain Brassbound's Conversion (1953). Articles from Britannica Encyclopedias for elementary and high school students. That year, she was created CBE, but her appearance at her investiture at Buckingham Palace accompanied by her three grandchildren was her last public appearance. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. [13] According to Filmink Lockwood's "speciality [now] was playing a bright young thing who got up to mischief, usually by accident rather than design, and she often got to drive the action. It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Tap into Getty Images' global scale, data-driven insights, and network of more than 340,000 creators to create content exclusively for your brand. Each time I play him, I discover hidden things I never thought of before, she enthused. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). Pigmented birthmarks simply mean your spots contain more color than other parts of your skin. And I loved it. Her final stage appearance, as Queen Alexandra in Motherdear, ran for only six weeks at the Ambassadors Theatre in 1980. It was an uphill battle even for those who survived. They did. She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. Likewise, if she were to wear one on the right side, she would be showing her support for the Whigs. [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. Much more popular than either of these was another melodrama with Arliss and Granger, Love Story (1944), where she played a terminally ill pianist. Gasp! The film was a massive hit, one of the biggest in 1943 Britain, and made all four lead actors into top stars at the end of the year, exhibitors voted Lockwood the seventh most popular British star at the box office. The amount of cleavage exposed by Lockwoods Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. "It is a mark of all that Shakespeare found indelibly beautiful in singularity and all that we identify as indelibly singular and beautiful in his work," the historian further added. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. Here's the unadulterated truth. Please like & follow for more interesting content. 2023 Getty Images. You can play him as a fey creature or right down to earth. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. Actors: Margaret Lockwood, James Mason, Patricia Roc. Lockwood discusses her upbringing in a Boston area Irish family and her early . Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was queen among villainesses. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." "I would get teased by the other kids in school, so I definitely wanted to get it removed," the supermodel told Vogue. A free trial, then 4.99/month or 49/year. She starred in another series The Flying Swan (1965). Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. That's right ladies, moles are beautiful. Then, in 1972, she married the actor Ernest Clark, best known as the irascible Geoffrey Loftus in Doctor in the House and its TV sequels, and her fellow star in the Ray Cooney farce The Mating Game (Apollo theatre, 1972). That was natural." The film was the most popular movie at the British box office in 1946. The promise of a screen test with Columbia Pictures came to nothing apart from the nose operation and filed teeth that she had in preparation for it. As stated earlier, Monroe's trademark mole may not have been real. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. This film also included the final appearance of Edith Evans and one of the later appearances of Kenneth More. This is partially dictated by Hollywood's elite. Margaret Mary Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. Yet, even she considered having surgery to get rid of it. "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. ", Even by the mid-1800s, not everyone had opened their minds likePepys. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". The film was a critical and box-office disappointment. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). Lockwood entered films in 1934, and in 1935 she appeared in the film version of Lorna Doone. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. For other people named Margaret Lockwood, see, Margaret Lockwood in Cornish Rhapsody which comes from the British War Time Film "Love Story" and starred Margaret as a lady concert pianist. 2023 British Film Institute. Even though British Parliament wanted to put an end to the faux mole craze, some members eventually came around. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. Margaret Lockwood , the British film star and actress, seen outside Buckingham Palace with three American Servicemen who are ardent fans of Britain's. English actress Margaret Lockwood , circa 1935. This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Hes a boy with so many emotions. It's hard to even imagine Crawford without it. It also helps other women with beauty marks to have an ally with which to identify. [33] She also appeared in an acclaimed TV production of Pygmalion (1948). Lockwood was well established as a middle-tier name. When she was eight Julia fell in love with Peter Pan on seeing her mother play the role in what had already established itself as an annual postwar institution at the Scala theatre in London. It was one of a series of films made by Gaumont aimed at the US market. If you notice your beauty mark starting to lookasymmetrical, theborder or edges are uneven, it has variations incolor, grows indiameter, orevolves over time, you should make an appointment with your dermatologist to get it checked out. So much so that, in 1650, they created a bill to prevent "the vice of painting, wearing black patches, and immodest dresses of women.". According toBBC,stars, hearts, and half moons were all popular choices back in the day. Sign up for BFI news, features, videos and podcasts. The title of The Lady Vanishes is thought to refer to the kidnapped British spy Miss Froy (May Whitty), but it is the prim lady in Lockwoods Iris Henderson that vanishes under the influence ofMichael Redgraves charming musicologist with his battery of phallic symbols. Lockwood was reunited with James Mason in A Place of One's Own (1945), playing a housekeeper possessed by the spirit of a dead girl, but the film was not a success. A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. 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The property has now been converted to flats. She complained to the head of her studio, J. Arthur Rank, that she was "sick of sinning", but paradoxically, as her roles grew nicer, her popularity declined. The film's worldwide success put Lockwood at the top of Britain's cinema polls for the next five years. had a bit part in the Drury Lane production of "Cavalcade" in 1932, A vivacious brunette with a beauty spot on her left cheek, she starred in a wide variety of films, notably the wartime thriller Night Train to Munich (1940), the romantic comedy Quiet Wedding (1941), as the husband-stealing murderess in the period melodrama The Man in Grey (1943), Trents Last Case (1952), Cast a Dark Shadow (1955), and as Cinderellas stepmother in The Slipper and the Rose (1976). According to the American Academy of Dermatology, there are severalkinds of birthmarks, but each one fits into just two main groups: pigmented and vascular. Julia Lockwood (Margaret Julia Leon), actor, born 23 August 1941; died 24 March 2019, Screen and stage actor who was a regular in West End productions in the 1960s, Philip French's screen legends: Margaret Lockwood, Original reporting and incisive analysis, direct from the Guardian every morning. What Austin, Texas looked like in the 1970s Through These Fascinating Photos, Rare Historical Photos Of old Mobile, Alabama From Early 20th Century, What El Paso, Texas, looked like at the Turn of the 20th Century, Fascinating Historical Photos of Portland from the 1900s, Stunning Historical Photos Of Old Memphis From 20th Century. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. Prior to leaving, she bravely performs for the plays audience her welling Cornish Rhapsody (written for the film byHubert Bathand made famous by it) while Kit is having a life-threatening operation to save his sight and because Judy is too distraught to go on. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to their shy, sensitive daughter. Innogen from the play "Cymbeline" proves this to be true as she just so happened to have a facial mole, or, beauty mark. The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. Cindy Crawford, for example, is notorious for her iconic "blemish." Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. "I like moles. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). Hear, hear! Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. By Brittany Brolley / Updated: Feb. 2, 2021 6:14 pm EST. Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. The latter title, a gothic melodrama, had been a hit for Gainsborough Pictures . Switch to the light mode that's kinder on your eyes at day time. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! The following year, she appeared at the Scala Theatre in the pantomime in the drama The Babes in the Wood. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. In June 1939, Lockwood returned to the United Kingdom. Was a committed teetotaller all her life and detested the taste of Margaret Lockwood as Lydia Garth Paul Dupuis as Paul de Vandiere Kathleen Byron as Verite Faimont Maxwell Reed as Joseph Rondolet Thora Hird as Rosa Raymond Lovell as Comte de Vandiere Maurice Denham as Doctor Simon Blake David Hutcheson as Max Ffoliott Cathleen Nesbitt as Mother Superior Peter Illing as Doctor Matthieu Jack McNaughton as Attendant Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. She starred in the Royalty (19571958) television series and was a regular on TV anthology shows. More popular was Jassy (1947), the seventh biggest hit at the British box office in 1947. The sexual privation suffered by women whose men were fighting overseas contributed to Lockwood and Mason, the fiery adulterous lovers of the 1943 Gainsborough gothic classicThe Man in Grey, replacingGracie FieldsandGeorge Formbyas the countrys top box office stars that year. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was an unfit mother. Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. Lockwood called it "one of the films I have enjoyed most in all my career. Her beauty spot, added during filming of A Place of One's Own (1945) in 1945 Trivia (28) Mother of actress Julia Lockwood. She also performed in a pantomime of Cinderella for the Royal Film performance with Jean Simmons; Lockwood called this "the jolliest show in which I have ever taken part. She likes what she likes, okay? Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. When the author Hilton Tims was preparing his biography, Once a Wicked Lady, a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, Give her these from me. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. A year later, she played another fairy, for 30 shillings a week, in Babes in the Wood at the Scala Theatre. Required fields are marked *. Shortly afterwards, in her early 30s, she gave up acting to concentrate on bringing up her four children. A visit to Hollywood to appear with Shirley Temple in "Susannah of the Mounties" and with Douglas Fairbanks Jr in "Rulers of the Sea" was not at all to her liking. ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. For Black and director Robert Stevenson she supported Will Fyffe in Owd Bob (1938), opposite John Loder. before completing her training at the Royal Academy of Dramatic Art. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. She lived her final years in seclusion in Kingston upon Thames, London. Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. She called it "my first really big picture with a beautifully written script and a wonderful part for me. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. Registered charity 287780, Watch Margaret Lockwood films on BFI Player, In praise of 1940s icon and Lady Vanishes star Margaret Lockwood. Popular British leading lady of the late 1930s who became England's biggest female star of the WWII era. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Whether or not your beauty mark is also a birthmark, romanticist William Shakespeare would've so been into it. And why do people love them or hate them? Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. Lockwood's role as the feisty Harriet Peterson won her Best Actress Awards from the TV Times (1971) and The Sun (1973). She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. To use social login you have to agree with the storage and handling of your data by this website. As both parents were rarely around at that point, Julia spent the war years with her grandmother and a nanny. She refused to return to Hollywood to make "Forever Amber", and unwisely turned down the film of Terence Rattigan's "The Browning Version". [54] She lived her final years in seclusion in Kingston upon Thames, dying on 15 July 1990 at the Cromwell Hospital, Kensington, London, from cirrhosis of the liver, aged 73. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. Several kings and queens even succumbed to the disease and, according to History.com, it is thought that 400,000 commoners died each year as a result. The films worldwide success put Lockwood at the top of Britains cinema polls for the next five years. While a real mole's shape is fixed, a mouche could be designed in a variety of styles. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. She was 73 years old. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). 1946 10th most popular star in Australia, 1947 4th most popular star and 3rd most popular British star in Britain. Hey Friend, Before You Go.. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. We celebrate one of the Britains biggest film stars of the 1940s. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage, where she had successes in Peter Pan, Pygmalion, Private Lives and Agatha Christies thriller, Spiders Web, which ran for over a year. Imagine the awkwardness of having a real beauty mark during this period in history? Built in clientele. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. Images of the British actress, Margaret Lockwood. If you have a real beauty mark, however, you should be aware of what the SkinCancer Foundation calls the "ABCDE" signs of melanoma, the deadliest form of skin cancer. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. These were standard ingnue roles. However, her best-remembered performances came in two classic Gainsborough period dramas. The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. Updates? She had the lead in a TV series The Royalty (19571958) and appeared regularly on TV anthology series. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. It was nerve wracking to have to find that now that I live in Fullerton. In 1948, she made her television debut in the role of Eliza Doolittle in the series Eliza Doolittle. Miss Lockwood's family would not disclose the . The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. Quiet Wedding (1941) was a comedy directed by Anthony Asquith. Gaumont extended her contract from three to six years. The excitement of walking on in Noel Cowards mammoth spectacular, Cavalcade, at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her.
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